MADYA DIEBATE KORA DUET -TARMUSIC CONCERT 2011 PART 4- KORA FINGERING SYMBOLISM- ALLAHU MEANING

Here is an old concert of me and my kora master: the Griot Djeli Kora Master MADYA DIEBATE.

This kora concert was live recorded at TAR-MUSIC in Rome on 22/12/2001. I was playing kora from only two-three years…

In this kora concert Madya Diebate plays and sings some african traditional kora songs and explains some foundamental things about the kora harp.

In this PART 4 Madya Diebate speaks about kora fingering symbolism with the Allahu letter…

ENGLISH SUBTITLES inserted in the video for better translation and understanding.

I want to share with you this kora duet concert beacause is thank to my master if I started to play kora and I could share with you what I learned about this beautiful west african harp named kora.

Thanks for watching!

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KORA LESSONS – JARABI – Part 3 – (Version 2)

Here we are!!! I did a little lesson on Jarabi kora song! As I promised! Here is what I know, not a lot… but something…

Part 3

The KORA is the harp lute of West Africa, belonging to the Mandinka ethnic group and widespread in Mali, Senegal, Gambia, New Guinea, Guinea Bissau…

Built on the base of a pumpkin sound box (“calebasse”) and with an harmonic soundboard in cow skin, three sticks cross it vertically and one horizontally. It also has one hole for sound output and a wooden bridge that divides the strings to the right and left.

The kora has 9 holes a all “like the human being”.

Traditionally the kora has 21 strings and a tuning system with skin’s rings (“konso”).

Modern kora today have a tuning mechanism in metal keys (like those of a guitar) even with chromatic changes or can be amplified.

Traditionally the kora is a modal instrument: it is played and tuned on one scale or tonal mode at time.

For at least 700 years the African kora has been the traditional instrument of the Jali (“blood”), or Djeli or Griot: the African singers who hand down the songs and techniques to play the kora from generation to generation, from father to son, from kora masters to disciples. Until recently, kora was taught only within the family circle.

The traditional songs and classical kora rhythms tell of the great African kings and heroes, or they are mythological stories of gods and correct ways of behaving.

The figure of Jaly is highly respected within African society.

A Djali playing the kora also takes the name of “korafola”.

The African kora is a musical instrument in all respects. It is played with four fingers (thumbs and index fingers of both hands) and can produce a melody, a bass loop and free improvisation at the same time.

Improvisation is a fundamental element in African music: given a particular song and melody or a specific rhythmic cycle (“kumbengo”), the rest of the musical performance is an improvisation left to the artist’s inspiration.

With kora it’s possible to perform complex musical virtuosities or simple accompanying music. The kora can play with any other classical instrument, western or belonging to other musical traditions of the world.

In this free video course to learn how to play the kora, we will see every aspect of the instrument, from songs for beginners to techniques for the more experienced.

Everyone can learn how to play the kora with this easy kora lessons course, step by step more complex in this professional kora course of training.

Traditional method of teaching and learning african music joined with the european approach to notation e musical thought.

All you ever wanted to know about the African harp in these free kora lessons by Andrea Candeloro (AndC).

Thank you and subscribe to my channel “Earth Musical Heart” if you like and want to support my world musical project!

Continue reading...

KORA LESSONS – JARABI – Part 2 – (Version 1)

Here we are!!! I did a little lesson on Jarabi kora song! As I promised! Here is what I know, not a lot… but something…

Part 2

The KORA is the harp lute of West Africa, belonging to the Mandinka ethnic group and widespread in Mali, Senegal, Gambia, New Guinea, Guinea Bissau…

Built on the base of a pumpkin sound box (“calebasse”) and with an harmonic soundboard in cow skin, three sticks cross it vertically and one horizontally. It also has one hole for sound output and a wooden bridge that divides the strings to the right and left.

The kora has 9 holes a all “like the human being”.

Traditionally the kora has 21 strings and a tuning system with skin’s rings (“konso”).

Modern kora today have a tuning mechanism in metal keys (like those of a guitar) even with chromatic changes or can be amplified.

Traditionally the kora is a modal instrument: it is played and tuned on one scale or tonal mode at time.

For at least 700 years the African kora has been the traditional instrument of the Jali (“blood”), or Djeli or Griot: the African singers who hand down the songs and techniques to play the kora from generation to generation, from father to son, from kora masters to disciples. Until recently, kora was taught only within the family circle.

The traditional songs and classical kora rhythms tell of the great African kings and heroes, or they are mythological stories of gods and correct ways of behaving.

The figure of Jaly is highly respected within African society.

A Djali playing the kora also takes the name of “korafola”.

The African kora is a musical instrument in all respects. It is played with four fingers (thumbs and index fingers of both hands) and can produce a melody, a bass loop and free improvisation at the same time.

Improvisation is a fundamental element in African music: given a particular song and melody or a specific rhythmic cycle (“kumbengo”), the rest of the musical performance is an improvisation left to the artist’s inspiration.

With kora it’s possible to perform complex musical virtuosities or simple accompanying music. The kora can play with any other classical instrument, western or belonging to other musical traditions of the world.

In this free video course to learn how to play the kora, we will see every aspect of the instrument, from songs for beginners to techniques for the more experienced.

Everyone can learn how to play the kora with this easy kora lessons course, step by step more complex in this professional kora course of training.

Traditional method of teaching and learning african music joined with the european approach to notation e musical thought.

All you ever wanted to know about the African harp in these free kora lessons by Andrea Candeloro (AndC).

Thank you and subscribe to my channel “Earth Musical Heart” if you like and want to support my world musical project!

Continue reading...

KORA LESSONS – JARABI – Part 1 (Talkin’ about)

Here we are!!! I did a little lesson on Jarabi kora song! As I promised! Here is what I know, not a lot… but something…

The KORA is the harp lute of West Africa, belonging to the Mandinka ethnic group and widespread in Mali, Senegal, Gambia, New Guinea, Guinea Bissau…

Built on the base of a pumpkin sound box (“calebasse”) and with an harmonic soundboard in cow skin, three sticks cross it vertically and one horizontally. It also has one hole for sound output and a wooden bridge that divides the strings to the right and left.

The kora has 9 holes a all “like the human being”.

Traditionally the kora has 21 strings and a tuning system with skin’s rings (“konso”).

Modern kora today have a tuning mechanism in metal keys (like those of a guitar) even with chromatic changes or can be amplified.

Traditionally the kora is a modal instrument: it is played and tuned on one scale or tonal mode at time.

For at least 700 years the African kora has been the traditional instrument of the Jali (“blood”), or Djeli or Griot: the African singers who hand down the songs and techniques to play the kora from generation to generation, from father to son, from kora masters to disciples. Until recently, kora was taught only within the family circle.

The traditional songs and classical kora rhythms tell of the great African kings and heroes, or they are mythological stories of gods and correct ways of behaving.

The figure of Jaly is highly respected within African society.

A Djali playing the kora also takes the name of “korafola”.

The African kora is a musical instrument in all respects. It is played with four fingers (thumbs and index fingers of both hands) and can produce a melody, a bass loop and free improvisation at the same time.

Improvisation is a fundamental element in African music: given a particular song and melody or a specific rhythmic cycle (“kumbengo”), the rest of the musical performance is an improvisation left to the artist’s inspiration.

With kora it’s possible to perform complex musical virtuosities or simple accompanying music. The kora can play with any other classical instrument, western or belonging to other musical traditions of the world.

In this free video course to learn how to play the kora, we will see every aspect of the instrument, from songs for beginners to techniques for the more experienced.

Everyone can learn how to play the kora with this easy kora lessons course, step by step more complex in this professional kora course of training.

Traditional method of teaching and learning african music joined with the european approach to notation e musical thought.

All you ever wanted to know about the African harp in these free kora lessons by Andrea Candeloro (AndC).

Thank you and subscribe to my channel “Earth Musical Heart” if you like and want to support my world musical project!

Continue reading...

Kora lessons – Special N. 3 – Kelefa Ba is everywhere


In this special kora lesson number 3, you don’t have to do anything but listen it…

I’ve thought: what happens if I combine the Kelefa Ba basic rhythm to the basic rhythms of others songs?

So, I play:

Kelefa Ba + Bani

Kelefa Ba + Jarabi

Kelefa Ba + Allah lake

And so on…

Let’s see it!

I’ve recorded two video and playing over myself, but in the final video result I could not be able to properly synchronize the two video files… so sometimes it seems that I’m not playing but the music goes on or viceversa… sorry for this.

What I really like is to let you listen the sound combination!

Thanks and good kora practice!

The KORA is the harp lute of West Africa, belonging to the Mandinka ethnic group and widespread in Mali, Senegal, Gambia, New Guinea, Guinea Bissau…

Built on the base of a pumpkin sound box (“calebasse”) and with an harmonic soundboard in cow skin, three sticks cross it vertically and one horizontally. It also has one hole for sound output and a wooden bridge that divides the strings to the right and left.

The kora has 9 holes a all “like the human being”.

Traditionally the kora has 21 strings and a tuning system with skin’s rings (“konso”).

Modern kora today have a tuning mechanism in metal keys (like those of a guitar) even with chromatic changes or can be amplified.

Traditionally the kora is a modal instrument: it is played and tuned on one scale or tonal mode at time.

For at least 700 years the African kora has been the traditional instrument of the Jali (“blood”), or Djeli or Griot: the African singers who hand down the songs and techniques to play the kora from generation to generation, from father to son, from kora masters to disciples. Until recently, kora was taught only within the family circle.

The traditional songs and classical kora rhythms tell of the great African kings and heroes, or they are mythological stories of gods and correct ways of behaving.

The figure of Jaly is highly respected within African society.

A Djali playing the kora also takes the name of “korafola”.

The African kora is a musical instrument in all respects. It is played with four fingers (thumbs and index fingers of both hands) and can produce a melody, a bass loop and free improvisation at the same time.

Improvisation is a fundamental element in African music: given a particular song and melody or a specific rhythmic cycle (“kumbengo”), the rest of the musical performance is an improvisation left to the artist’s inspiration.

With kora it’s possible to perform complex musical virtuosities or simple accompanying music. The kora can play with any other classical instrument, western or belonging to other musical traditions of the world.

In this free video course to learn how to play the kora, we will see every aspect of the instrument, from songs for beginners to techniques for the more experienced.

Everyone can learn how to play the kora with this easy kora lessons course, step by step more complex in this professional kora course of training.

Traditional method of teaching and learning african music joined with the european approach to notation e musical thought.

All you ever wanted to know about the African harp in these free kora lessons by Andrea Candeloro (AndC).

Thank you and subscribe to my channel “Earth Musical Heart” if you like and want to support my world musical project!

Continue reading...

Kora Lessons – Special N. 2 – Basic kora questions

– In this special kora lesson, I answer to some basic kora questions, curiosities and advices that comes in mind at the beginning, about different arguments like: fingernails, strings, bad resonances, bridge, stands and so on…
Nothing very special, only a little.

The KORA is the harp lute of West Africa, belonging to the Mandinka ethnic group and widespread in Mali, Senegal, Gambia, New Guinea, Guinea Bissau…

Built on the base of a pumpkin sound box (“calebasse”) and with an harmonic soundboard in cow skin, three sticks cross it vertically and one horizontally. It also has one hole for sound output and a wooden bridge that divides the strings to the right and left.

The kora has 9 holes a all “like the human being”.

Traditionally the kora has 21 strings and a tuning system with skin’s rings (“konso”).

Modern kora today have a tuning mechanism in metal keys (like those of a guitar) even with chromatic changes or can be amplified.

Traditionally the kora is a modal instrument: it is played and tuned on one scale or tonal mode at time.

For at least 700 years the African kora has been the traditional instrument of the Jali (“blood”), or Djeli or Griot: the African singers who hand down the songs and techniques to play the kora from generation to generation, from father to son, from kora masters to disciples. Until recently, kora was taught only within the family circle.

The traditional songs and classical kora rhythms tell of the great African kings and heroes, or they are mythological stories of gods and correct ways of behaving.

The figure of Jaly is highly respected within African society.

A Djali playing the kora also takes the name of “korafola”.

The African kora is a musical instrument in all respects. It is played with four fingers (thumbs and index fingers of both hands) and can produce a melody, a bass loop and free improvisation at the same time.

Improvisation is a fundamental element in African music: given a particular song and melody or a specific rhythmic cycle (“kumbengo”), the rest of the musical performance is an improvisation left to the artist’s inspiration.

With kora it’s possible to perform complex musical virtuosities or simple accompanying music. The kora can play with any other classical instrument, western or belonging to other musical traditions of the world.

In this free video course to learn how to play the kora, we will see every aspect of the instrument, from songs for beginners to techniques for the more experienced.

Everyone can learn how to play the kora with this easy kora lessons course, step by step more complex in this professional kora course of training.

Traditional method of teaching and learning african music joined with the european approach to notation e musical thought.

All you ever wanted to know about the African harp in these free kora lessons by Andrea Candeloro (AndC).

Thank you and subscribe to my channel “Earth Musical Heart” if you like and want to support my world musical project!

Continue reading...

Kora Lessons – Special N.1 – Kelefa Ba On Piano – Part 2

This is a special  kora lesson so much that it is a piano lesson! We will see how to play the basic rhythm of the song Kelefa Ba on the piano.
I did the exact transposition for the piano as the rhythm is played on the kora.
Music has no boundaries, neither cultural nor instrumental!
West African and European music are not that far apart and can find different points of union: this is one.

/
– Video lesson in HD.
– First-person view of the piano.
– Music sheet of the song.
– Various steps of learning.
– Numerical, visual and musical indications of the notes to play.
– Spoken language in Italian with English subtitles.

Continue reading...

Kora Lessons – Special N.1 – Kelefa Ba On Piano – Part 1

This is a special  kora lesson so much that it is a piano lesson! We will see how to play the basic rhythm of the song Kelefa Ba on the piano.
I did the exact transposition for the piano as the rhythm is played on the kora.
Music has no boundaries, neither cultural nor instrumental!
West African and European music are not that far apart and can find different points of union: this is one.

/
– Video lesson in HD.
– First-person view of the piano.
– Music sheet of the song.
– Various steps of learning.
– Numerical, visual and musical indications of the notes to play.
– Spoken language in Italian with English subtitles.

Continue reading...