Bani n. 4. – 15’ Kora Demonstrative Rhythms

15′ Kora Demonstration. Bani n. 4. #kora #koralessons #bani #music #bambolee

Un video pubblicato da Andrea Candeloro (@koralessons) in data:


So we go on with our small kora videos, to show some particoular variation on the various rhythms.
These short videoslinked to our Instagram Kora Lessons Profile – could be a creative inspiration in accompaniment to the kora lessons.
In this first series of video we will see some unusual variations on the african song Bani.

You can also find Kora Lessons on Facebook…!

The KORA is the harp lute of West Africa, belonging to the Mandinka ethnic group and widespread in Mali, Senegal, Gambia, New Guinea, Guinea Bissau…

Built on the base of a pumpkin sound box (“calebasse”) and with an harmonic soundboard in cow skin, three sticks cross it vertically and one horizontally. It also has one hole for sound output and a wooden bridge that divides the strings to the right and left.

The kora has 9 holes a all “like the human being”.

Traditionally the kora has 21 strings and a tuning system with skin’s rings (“konso”).

Modern kora today have a tuning mechanism in metal keys (like those of a guitar) even with chromatic changes or can be amplified.

Traditionally the kora is a modal instrument: it is played and tuned on one scale or tonal mode at time.

For at least 700 years the African kora has been the traditional instrument of the Jali (“blood”), or Djeli or Griot: the African singers who hand down the songs and techniques to play the kora from generation to generation, from father to son, from kora masters to disciples. Until recently, kora was taught only within the family circle.

The traditional songs and classical kora rhythms tell of the great African kings and heroes, or they are mythological stories of gods and correct ways of behaving.

The figure of Jaly is highly respected within African society.

A Djali playing the kora also takes the name of “korafola”.

The African kora is a musical instrument in all respects. It is played with four fingers (thumbs and index fingers of both hands) and can produce a melody, a bass loop and free improvisation at the same time.

Improvisation is a fundamental element in African music: given a particular song and melody or a specific rhythmic cycle (“kumbengo”), the rest of the musical performance is an improvisation left to the artist’s inspiration.

With kora it’s possible to perform complex musical virtuosities or simple accompanying music. The kora can play with any other classical instrument, western or belonging to other musical traditions of the world.

In this free video course to learn how to play the kora, we will see every aspect of the instrument, from songs for beginners to techniques for the more experienced.

Everyone can learn how to play the kora with this easy kora lessons course, step by step more complex in this professional kora course of training.

Traditional method of teaching and learning african music joined with the european approach to notation e musical thought.

All you ever wanted to know about the African harp in these free kora lessons by Andrea Candeloro (AndC).

Thank you and subscribe to my channel “Earth Musical Heart” if you like and want to support my world musical project!

Continue reading...

Bani n. 3. – 15’ Kora Demonstrative Rhythms

15′ kora demonstration. Bani n. 3 #kora #koralessons #bani #bambolee

Un video pubblicato da Andrea Candeloro (@koralessons) in data:


So we go on with our small kora videos, to show some particoular variation on the various rhythms.
These short videoslinked to our Instagram Kora Lessons Profile – could be a creative inspiration in accompaniment to the kora lessons.
In this first series of video we will see some unusual variations on the african song Bani.

You can also find Kora Lessons on Facebook…!

The KORA is the harp lute of West Africa, belonging to the Mandinka ethnic group and widespread in Mali, Senegal, Gambia, New Guinea, Guinea Bissau…

Built on the base of a pumpkin sound box (“calebasse”) and with an harmonic soundboard in cow skin, three sticks cross it vertically and one horizontally. It also has one hole for sound output and a wooden bridge that divides the strings to the right and left.

The kora has 9 holes a all “like the human being”.

Traditionally the kora has 21 strings and a tuning system with skin’s rings (“konso”).

Modern kora today have a tuning mechanism in metal keys (like those of a guitar) even with chromatic changes or can be amplified.

Traditionally the kora is a modal instrument: it is played and tuned on one scale or tonal mode at time.

For at least 700 years the African kora has been the traditional instrument of the Jali (“blood”), or Djeli or Griot: the African singers who hand down the songs and techniques to play the kora from generation to generation, from father to son, from kora masters to disciples. Until recently, kora was taught only within the family circle.

The traditional songs and classical kora rhythms tell of the great African kings and heroes, or they are mythological stories of gods and correct ways of behaving.

The figure of Jaly is highly respected within African society.

A Djali playing the kora also takes the name of “korafola”.

The African kora is a musical instrument in all respects. It is played with four fingers (thumbs and index fingers of both hands) and can produce a melody, a bass loop and free improvisation at the same time.

Improvisation is a fundamental element in African music: given a particular song and melody or a specific rhythmic cycle (“kumbengo”), the rest of the musical performance is an improvisation left to the artist’s inspiration.

With kora it’s possible to perform complex musical virtuosities or simple accompanying music. The kora can play with any other classical instrument, western or belonging to other musical traditions of the world.

In this free video course to learn how to play the kora, we will see every aspect of the instrument, from songs for beginners to techniques for the more experienced.

Everyone can learn how to play the kora with this easy kora lessons course, step by step more complex in this professional kora course of training.

Traditional method of teaching and learning african music joined with the european approach to notation e musical thought.

All you ever wanted to know about the African harp in these free kora lessons by Andrea Candeloro (AndC).

Thank you and subscribe to my channel “Earth Musical Heart” if you like and want to support my world musical project!

Continue reading...

Bani n. 2 – 15’ Kora Demonstrative Rhythms.

So we go on with our small kora videos, to show some particoular variation on the various rhythms.
These short videoslinked to our Instagram Kora Lessons Profile – could be a creative inspiration in accompaniment to the kora lessons.
In this first series of video we will see some unusual variations on the african song Bani.

15′ kora demonstration. Bani 2. #kora #koralessons #bani #bambolee

Un video pubblicato da Andrea Candeloro (@koralessons) in data:

The KORA is the harp lute of West Africa, belonging to the Mandinka ethnic group and widespread in Mali, Senegal, Gambia, New Guinea, Guinea Bissau…

Built on the base of a pumpkin sound box (“calebasse”) and with an harmonic soundboard in cow skin, three sticks cross it vertically and one horizontally. It also has one hole for sound output and a wooden bridge that divides the strings to the right and left.

The kora has 9 holes a all “like the human being”.

Traditionally the kora has 21 strings and a tuning system with skin’s rings (“konso”).

Modern kora today have a tuning mechanism in metal keys (like those of a guitar) even with chromatic changes or can be amplified.

Traditionally the kora is a modal instrument: it is played and tuned on one scale or tonal mode at time.

For at least 700 years the African kora has been the traditional instrument of the Jali (“blood”), or Djeli or Griot: the African singers who hand down the songs and techniques to play the kora from generation to generation, from father to son, from kora masters to disciples. Until recently, kora was taught only within the family circle.

The traditional songs and classical kora rhythms tell of the great African kings and heroes, or they are mythological stories of gods and correct ways of behaving.

The figure of Jaly is highly respected within African society.

A Djali playing the kora also takes the name of “korafola”.

The African kora is a musical instrument in all respects. It is played with four fingers (thumbs and index fingers of both hands) and can produce a melody, a bass loop and free improvisation at the same time.

Improvisation is a fundamental element in African music: given a particular song and melody or a specific rhythmic cycle (“kumbengo”), the rest of the musical performance is an improvisation left to the artist’s inspiration.

With kora it’s possible to perform complex musical virtuosities or simple accompanying music. The kora can play with any other classical instrument, western or belonging to other musical traditions of the world.

In this free video course to learn how to play the kora, we will see every aspect of the instrument, from songs for beginners to techniques for the more experienced.

Everyone can learn how to play the kora with this easy kora lessons course, step by step more complex in this professional kora course of training.

Traditional method of teaching and learning african music joined with the european approach to notation e musical thought.

All you ever wanted to know about the African harp in these free kora lessons by Andrea Candeloro (AndC).

Thank you and subscribe to my channel “Earth Musical Heart” if you like and want to support my world musical project!

Continue reading...

KORA LESSONS – Basic N. 23 – Bani – First Melodic Variation – Part 3

– It’s time to learn the first melodic variation, or phrasing, of Bani in this free and basic kora lessons.
– HD video quality.
– First person-view of the kora.
– Numerical, visual and musical indication of the strings to play.
– Traditional african teaching method joined with the european approach to notation e musical thought.
– Step by step learning method.
– Italian language with English texts (subtitles).
– Part 3.

The KORA is the harp lute of West Africa, belonging to the Mandinka ethnic group and widespread in Mali, Senegal, Gambia, New Guinea, Guinea Bissau…

Built on the base of a pumpkin sound box (“calebasse”) and with an harmonic soundboard in cow skin, three sticks cross it vertically and one horizontally. It also has one hole for sound output and a wooden bridge that divides the strings to the right and left.

The kora has 9 holes a all “like the human being”.

Traditionally the kora has 21 strings and a tuning system with skin’s rings (“konso”).

Modern kora today have a tuning mechanism in metal keys (like those of a guitar) even with chromatic changes or can be amplified.

Traditionally the kora is a modal instrument: it is played and tuned on one scale or tonal mode at time.

For at least 700 years the African kora has been the traditional instrument of the Jali (“blood”), or Djeli or Griot: the African singers who hand down the songs and techniques to play the kora from generation to generation, from father to son, from kora masters to disciples. Until recently, kora was taught only within the family circle.

The traditional songs and classical kora rhythms tell of the great African kings and heroes, or they are mythological stories of gods and correct ways of behaving.

The figure of Jaly is highly respected within African society.

A Djali playing the kora also takes the name of “korafola”.

The African kora is a musical instrument in all respects. It is played with four fingers (thumbs and index fingers of both hands) and can produce a melody, a bass loop and free improvisation at the same time.

Improvisation is a fundamental element in African music: given a particular song and melody or a specific rhythmic cycle (“kumbengo”), the rest of the musical performance is an improvisation left to the artist’s inspiration.

With kora it’s possible to perform complex musical virtuosities or simple accompanying music. The kora can play with any other classical instrument, western or belonging to other musical traditions of the world.

In this free video course to learn how to play the kora, we will see every aspect of the instrument, from songs for beginners to techniques for the more experienced.

Everyone can learn how to play the kora with this easy kora lessons course, step by step more complex in this professional kora course of training.

Traditional method of teaching and learning african music joined with the european approach to notation e musical thought.

All you ever wanted to know about the African harp in these free kora lessons by Andrea Candeloro (AndC).

Thank you and subscribe to my channel “Earth Musical Heart” if you like and want to support my world musical project!

Continue reading...

KORA LESSONS – Basic N. 22 – Bani – First Melodic Variation – Part 2

– It’s time to learn the first melodic variation, or phrasing, of Bani in this free and basic kora lessons.
– HD video quality.
– First person-view of the kora.
– Numerical, visual and musical indication of the strings to play.
– Traditional african teaching method joined with the european approach to notation e musical thought.
– Step by step learning method.
– Italian language with English texts (subtitles).
– Part 2.

The KORA is the harp lute of West Africa, belonging to the Mandinka ethnic group and widespread in Mali, Senegal, Gambia, New Guinea, Guinea Bissau…

Built on the base of a pumpkin sound box (“calebasse”) and with an harmonic soundboard in cow skin, three sticks cross it vertically and one horizontally. It also has one hole for sound output and a wooden bridge that divides the strings to the right and left.

The kora has 9 holes a all “like the human being”.

Traditionally the kora has 21 strings and a tuning system with skin’s rings (“konso”).

Modern kora today have a tuning mechanism in metal keys (like those of a guitar) even with chromatic changes or can be amplified.

Traditionally the kora is a modal instrument: it is played and tuned on one scale or tonal mode at time.

For at least 700 years the African kora has been the traditional instrument of the Jali (“blood”), or Djeli or Griot: the African singers who hand down the songs and techniques to play the kora from generation to generation, from father to son, from kora masters to disciples. Until recently, kora was taught only within the family circle.

The traditional songs and classical kora rhythms tell of the great African kings and heroes, or they are mythological stories of gods and correct ways of behaving.

The figure of Jaly is highly respected within African society.

A Djali playing the kora also takes the name of “korafola”.

The African kora is a musical instrument in all respects. It is played with four fingers (thumbs and index fingers of both hands) and can produce a melody, a bass loop and free improvisation at the same time.

Improvisation is a fundamental element in African music: given a particular song and melody or a specific rhythmic cycle (“kumbengo”), the rest of the musical performance is an improvisation left to the artist’s inspiration.

With kora it’s possible to perform complex musical virtuosities or simple accompanying music. The kora can play with any other classical instrument, western or belonging to other musical traditions of the world.

In this free video course to learn how to play the kora, we will see every aspect of the instrument, from songs for beginners to techniques for the more experienced.

Everyone can learn how to play the kora with this easy kora lessons course, step by step more complex in this professional kora course of training.

Traditional method of teaching and learning african music joined with the european approach to notation e musical thought.

All you ever wanted to know about the African harp in these free kora lessons by Andrea Candeloro (AndC).

Thank you and subscribe to my channel “Earth Musical Heart” if you like and want to support my world musical project!

Continue reading...

KORA LESSONS – Basic N. 21 – Bani – First Melodic Variation – Part 1


– It’s time to learn the first melodic variation, or phrasing, of Bani in this free and basic kora lessons.
– HD video quality.
– First person-view of the kora.
– Numerical, visual and musical indication of the strings to play.
– Traditional african teaching method joined with the european approach to notation e musical thought.
– Step by step learning method.
– Italian language with English texts (subtitles).
– Part 1.

The KORA is the harp lute of West Africa, belonging to the Mandinka ethnic group and widespread in Mali, Senegal, Gambia, New Guinea, Guinea Bissau…

Built on the base of a pumpkin sound box (“calebasse”) and with an harmonic soundboard in cow skin, three sticks cross it vertically and one horizontally. It also has one hole for sound output and a wooden bridge that divides the strings to the right and left.

The kora has 9 holes a all “like the human being”.

Traditionally the kora has 21 strings and a tuning system with skin’s rings (“konso”).

Modern kora today have a tuning mechanism in metal keys (like those of a guitar) even with chromatic changes or can be amplified.

Traditionally the kora is a modal instrument: it is played and tuned on one scale or tonal mode at time.

For at least 700 years the African kora has been the traditional instrument of the Jali (“blood”), or Djeli or Griot: the African singers who hand down the songs and techniques to play the kora from generation to generation, from father to son, from kora masters to disciples. Until recently, kora was taught only within the family circle.

The traditional songs and classical kora rhythms tell of the great African kings and heroes, or they are mythological stories of gods and correct ways of behaving.

The figure of Jaly is highly respected within African society.

A Djali playing the kora also takes the name of “korafola”.

The African kora is a musical instrument in all respects. It is played with four fingers (thumbs and index fingers of both hands) and can produce a melody, a bass loop and free improvisation at the same time.

Improvisation is a fundamental element in African music: given a particular song and melody or a specific rhythmic cycle (“kumbengo”), the rest of the musical performance is an improvisation left to the artist’s inspiration.

With kora it’s possible to perform complex musical virtuosities or simple accompanying music. The kora can play with any other classical instrument, western or belonging to other musical traditions of the world.

In this free video course to learn how to play the kora, we will see every aspect of the instrument, from songs for beginners to techniques for the more experienced.

Everyone can learn how to play the kora with this easy kora lessons course, step by step more complex in this professional kora course of training.

Traditional method of teaching and learning african music joined with the european approach to notation e musical thought.

All you ever wanted to know about the African harp in these free kora lessons by Andrea Candeloro (AndC).

Thank you and subscribe to my channel “Earth Musical Heart” if you like and want to support my world musical project!

Continue reading...

Kora Live Streaming – N.1 – Kelanima


This video comes from my series of kora video live streaming demonstrations.
The quality of the video is not high, but can be an inspiration in playing the kora.
In this performance, the song Kelanima played with a very special kora tuning.
Thank you!

The KORA is the harp lute of West Africa, belonging to the Mandinka ethnic group and widespread in Mali, Senegal, Gambia, New Guinea, Guinea Bissau…

Built on the base of a pumpkin sound box (“calebasse”) and with an harmonic soundboard in cow skin, three sticks cross it vertically and one horizontally. It also has one hole for sound output and a wooden bridge that divides the strings to the right and left.

The kora has 9 holes a all “like the human being”.

Traditionally the kora has 21 strings and a tuning system with skin’s rings (“konso”).

Modern kora today have a tuning mechanism in metal keys (like those of a guitar) even with chromatic changes or can be amplified.

Traditionally the kora is a modal instrument: it is played and tuned on one scale or tonal mode at time.

For at least 700 years the African kora has been the traditional instrument of the Jali (“blood”), or Djeli or Griot: the African singers who hand down the songs and techniques to play the kora from generation to generation, from father to son, from kora masters to disciples. Until recently, kora was taught only within the family circle.

The traditional songs and classical kora rhythms tell of the great African kings and heroes, or they are mythological stories of gods and correct ways of behaving.

The figure of Jaly is highly respected within African society.

A Djali playing the kora also takes the name of “korafola”.

The African kora is a musical instrument in all respects. It is played with four fingers (thumbs and index fingers of both hands) and can produce a melody, a bass loop and free improvisation at the same time.

Improvisation is a fundamental element in African music: given a particular song and melody or a specific rhythmic cycle (“kumbengo”), the rest of the musical performance is an improvisation left to the artist’s inspiration.

With kora it’s possible to perform complex musical virtuosities or simple accompanying music. The kora can play with any other classical instrument, western or belonging to other musical traditions of the world.

In this free video course to learn how to play the kora, we will see every aspect of the instrument, from songs for beginners to techniques for the more experienced.

Everyone can learn how to play the kora with this easy kora lessons course, step by step more complex in this professional kora course of training.

Traditional method of teaching and learning african music joined with the european approach to notation e musical thought.

All you ever wanted to know about the African harp in these free kora lessons by Andrea Candeloro (AndC).

Thank you and subscribe to my channel “Earth Musical Heart” if you like and want to support my world musical project!

Continue reading...

Kora Lessons on Instagram

Kora Lessons goes  360° social… now is also on Instagram!

Instagram

Here some really short kora videos for inusual kora songs variations!

Yes, and maybe some photos…!

So, I’ve got only few seconds to demonstrate some kora rhythms that could be of ispiration for your daily practice…!

Bani personal variation n. 1 #koralessons #banivariations #bani #kora

Un video pubblicato da Andrea Candeloro (@koralessons) in data:

The KORA is the harp lute of West Africa, belonging to the Mandinka ethnic group and widespread in Mali, Senegal, Gambia, New Guinea, Guinea Bissau…

Built on the base of a pumpkin sound box (“calebasse”) and with an harmonic soundboard in cow skin, three sticks cross it vertically and one horizontally. It also has one hole for sound output and a wooden bridge that divides the strings to the right and left.

The kora has 9 holes a all “like the human being”.

Traditionally the kora has 21 strings and a tuning system with skin’s rings (“konso”).

Modern kora today have a tuning mechanism in metal keys (like those of a guitar) even with chromatic changes or can be amplified.

Traditionally the kora is a modal instrument: it is played and tuned on one scale or tonal mode at time.

For at least 700 years the African kora has been the traditional instrument of the Jali (“blood”), or Djeli or Griot: the African singers who hand down the songs and techniques to play the kora from generation to generation, from father to son, from kora masters to disciples. Until recently, kora was taught only within the family circle.

The traditional songs and classical kora rhythms tell of the great African kings and heroes, or they are mythological stories of gods and correct ways of behaving.

The figure of Jaly is highly respected within African society.

A Djali playing the kora also takes the name of “korafola”.

The African kora is a musical instrument in all respects. It is played with four fingers (thumbs and index fingers of both hands) and can produce a melody, a bass loop and free improvisation at the same time.

Improvisation is a fundamental element in African music: given a particular song and melody or a specific rhythmic cycle (“kumbengo”), the rest of the musical performance is an improvisation left to the artist’s inspiration.

With kora it’s possible to perform complex musical virtuosities or simple accompanying music. The kora can play with any other classical instrument, western or belonging to other musical traditions of the world.

In this free video course to learn how to play the kora, we will see every aspect of the instrument, from songs for beginners to techniques for the more experienced.

Everyone can learn how to play the kora with this easy kora lessons course, step by step more complex in this professional kora course of training.

Traditional method of teaching and learning african music joined with the european approach to notation e musical thought.

All you ever wanted to know about the African harp in these free kora lessons by Andrea Candeloro (AndC).

Thank you and subscribe to my channel “Earth Musical Heart” if you like and want to support my world musical project!

Continue reading...

Kora lessons – Special N. 3 – Kelefa Ba is everywhere


In this special kora lesson number 3, you don’t have to do anything but listen it…

I’ve thought: what happens if I combine the Kelefa Ba basic rhythm to the basic rhythms of others songs?

So, I play:

Kelefa Ba + Bani

Kelefa Ba + Jarabi

Kelefa Ba + Allah lake

And so on…

Let’s see it!

I’ve recorded two video and playing over myself, but in the final video result I could not be able to properly synchronize the two video files… so sometimes it seems that I’m not playing but the music goes on or viceversa… sorry for this.

What I really like is to let you listen the sound combination!

Thanks and good kora practice!

The KORA is the harp lute of West Africa, belonging to the Mandinka ethnic group and widespread in Mali, Senegal, Gambia, New Guinea, Guinea Bissau…

Built on the base of a pumpkin sound box (“calebasse”) and with an harmonic soundboard in cow skin, three sticks cross it vertically and one horizontally. It also has one hole for sound output and a wooden bridge that divides the strings to the right and left.

The kora has 9 holes a all “like the human being”.

Traditionally the kora has 21 strings and a tuning system with skin’s rings (“konso”).

Modern kora today have a tuning mechanism in metal keys (like those of a guitar) even with chromatic changes or can be amplified.

Traditionally the kora is a modal instrument: it is played and tuned on one scale or tonal mode at time.

For at least 700 years the African kora has been the traditional instrument of the Jali (“blood”), or Djeli or Griot: the African singers who hand down the songs and techniques to play the kora from generation to generation, from father to son, from kora masters to disciples. Until recently, kora was taught only within the family circle.

The traditional songs and classical kora rhythms tell of the great African kings and heroes, or they are mythological stories of gods and correct ways of behaving.

The figure of Jaly is highly respected within African society.

A Djali playing the kora also takes the name of “korafola”.

The African kora is a musical instrument in all respects. It is played with four fingers (thumbs and index fingers of both hands) and can produce a melody, a bass loop and free improvisation at the same time.

Improvisation is a fundamental element in African music: given a particular song and melody or a specific rhythmic cycle (“kumbengo”), the rest of the musical performance is an improvisation left to the artist’s inspiration.

With kora it’s possible to perform complex musical virtuosities or simple accompanying music. The kora can play with any other classical instrument, western or belonging to other musical traditions of the world.

In this free video course to learn how to play the kora, we will see every aspect of the instrument, from songs for beginners to techniques for the more experienced.

Everyone can learn how to play the kora with this easy kora lessons course, step by step more complex in this professional kora course of training.

Traditional method of teaching and learning african music joined with the european approach to notation e musical thought.

All you ever wanted to know about the African harp in these free kora lessons by Andrea Candeloro (AndC).

Thank you and subscribe to my channel “Earth Musical Heart” if you like and want to support my world musical project!

Continue reading...

Kelefa Ba Everywhere… in kora hearts!


I was studying some of mine variations on a song of my master Madya, called “Africa”, when suddenly I’ve heard Kelefa Ba calling me…

The KORA is the harp lute of West Africa, belonging to the Mandinka ethnic group and widespread in Mali, Senegal, Gambia, New Guinea, Guinea Bissau…

Built on the base of a pumpkin sound box (“calebasse”) and with an harmonic soundboard in cow skin, three sticks cross it vertically and one horizontally. It also has one hole for sound output and a wooden bridge that divides the strings to the right and left.

The kora has 9 holes a all “like the human being”.

Traditionally the kora has 21 strings and a tuning system with skin’s rings (“konso”).

Modern kora today have a tuning mechanism in metal keys (like those of a guitar) even with chromatic changes or can be amplified.

Traditionally the kora is a modal instrument: it is played and tuned on one scale or tonal mode at time.

For at least 700 years the African kora has been the traditional instrument of the Jali (“blood”), or Djeli or Griot: the African singers who hand down the songs and techniques to play the kora from generation to generation, from father to son, from kora masters to disciples. Until recently, kora was taught only within the family circle.

The traditional songs and classical kora rhythms tell of the great African kings and heroes, or they are mythological stories of gods and correct ways of behaving.

The figure of Jaly is highly respected within African society.

A Djali playing the kora also takes the name of “korafola”.

The African kora is a musical instrument in all respects. It is played with four fingers (thumbs and index fingers of both hands) and can produce a melody, a bass loop and free improvisation at the same time.

Improvisation is a fundamental element in African music: given a particular song and melody or a specific rhythmic cycle (“kumbengo”), the rest of the musical performance is an improvisation left to the artist’s inspiration.

With kora it’s possible to perform complex musical virtuosities or simple accompanying music. The kora can play with any other classical instrument, western or belonging to other musical traditions of the world.

In this free video course to learn how to play the kora, we will see every aspect of the instrument, from songs for beginners to techniques for the more experienced.

Everyone can learn how to play the kora with this easy kora lessons course, step by step more complex in this professional kora course of training.

Traditional method of teaching and learning african music joined with the european approach to notation e musical thought.

All you ever wanted to know about the African harp in these free kora lessons by Andrea Candeloro (AndC).

Thank you and subscribe to my channel “Earth Musical Heart” if you like and want to support my world musical project!

Continue reading...